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Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

Drawing & Print (Drawing & Print)

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.

Fedex® Large Kraft Box 2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9-14, 2011, International Priority, Bejing-London trk#874594463978, March 13-15, 2012, International Priority, London-San Francisco, trk#777001529227, August 16-18, 2016, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

Sculpture (Sculpture)

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.

The Breaks
© » KADIST

Juan Capistran

Photography (Photography)

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.

Ammo Bunker
© » KADIST

Mario Ybarra Jr.

Installation (Installation)

Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.

Splinters and Seconal
© » KADIST

Ed Ruscha

Painting (Painting)

In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

Sculpture (Sculpture)

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.

California Stories Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975)
© » KADIST

Allan Sekula

Photography (Photography)

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.

Eniko Mihalik
© » KADIST

Jeff Burton

Photography (Photography)

In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.

Freeway Series
© » KADIST

Catherine Opie

Photography (Photography)

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.

Untitled #1 #2 #3
© » KADIST

Piero Golia

Sculpture (Sculpture)

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace.

Radical Hospitality
© » KADIST

Andrea Bowers

Sculpture (Sculpture)

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.

Untitled (Sten-Frenke House #04)
© » KADIST

Luisa Lambri

Photography (Photography)

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness.

Untitled (Miller House, #02)
© » KADIST

Luisa Lambri

Photography (Photography)

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

Sculpture (Sculpture)

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.

I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
© » KADIST

Daniel Joseph Martinez

Photography (Photography)

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.

Execution Changes #22
© » KADIST

Julian Hoeber

Painting (Painting)

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

Sculpture (Sculpture)

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.

SHE MAD: Laughing Gas
© » KADIST

Martine Syms

Film & Video (Film & Video)

Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

Installation (Installation)

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry. When his rubber trees died from disease and his primarily indigenous workforce revolted, his enterprise went busts within a few short years. Ford never faulted his own planning, but instead blamed the “inhospitable” Brazilian landscape.

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

Photography (Photography)

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface.

The White Album
© » KADIST

Mungo Thomson

Drawing & Print (Drawing & Print)

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.

Untitled (TIME)
© » KADIST

Mungo Thomson

Film & Video (Film & Video)

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

Sculpture (Sculpture)

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.

Chu’u Mayaa
© » KADIST

Clarissa Tossin

Film & Video (Film & Video)

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack.

White Minority
© » KADIST

Juan Capistran

Painting (Painting)

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.

Shadows V, Set of 3
© » KADIST

Charles Gaines

Photography (Photography)

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.

Paper Tigers…from a whisper to a scream
© » KADIST

Juan Capistran

Sculpture (Sculpture)

The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.

Catherine Opie

Mungo Thomson

Paul McCarthy

Miljohn Ruperto

Walead Beshty

Daniel Joseph Martinez

Jason Meadows

Ed Ruscha

Koki Tanaka

John Baldessari

Luisa Lambri

Chris Johanson

Lucas Blalock

Jedediah Caesar

Jeff Burton

Clarissa Tossin

Andrea Bowers

Alexis Smith

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

Carter Mull

Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...

Mark Grotjahn

Claudia Joskowicz

Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...

Karl Haendel

Nao Bustamante

California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...

Martine Syms

Judy Chicago

Pedro Reyes

Ron Terada

Ron Terada belongs to a generation of Vancouver-based artists that follows the well-known Vancouver School of photoconceptualists which includes Jeff Wall, Stan Douglas, and Ian Wallace...

© » ARTNEWS

about 3 months ago (02/12/2024)

Christie's LA to Mount Exhibition of Andy Warhol's 'Screen Tests' Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 11:22am Andy Warhol, Jane Holzer [ST144], 1964...

© » THEARTNEWSPER

about 3 months ago (02/09/2024)

30 archaeological artefacts returned to Mexican authorities in Los Angeles ceremony Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news 30 archaeological artefacts returned to Mexican authorities in Los Angeles ceremony Objects ranging from the 1st century to the 15th century were handed over at the Mexican consulate in Los Angeles earlier this month Benjamin Sutton 9 February 2024 Share An elaborately rendered ceramic figure that was handed over to Mexican authorities in Los Angeles on 1 February Mexico Ministry of Culture Anthropomorphic ceramic figures, necklace beads, vessels and more archaeological objects were turned over to Mexican authorities, including the country’s visiting secretary of foreign affairs, Alicia Bárcena Ibarra, during a ceremony this month at Mexico’s consulate in Los Angeles...

© » HYPERALLERGIC

about 3 months ago (02/05/2024)

Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...

© » HYPERALLERGIC

about 3 months ago (02/05/2024)

Artists "Make LA Graffiti History" by Painting on Abandoned High-Rises Skip to content Oceanwide Plaza was covered in graffiti by dozens of artists...

© » HYPERALLERGIC

about 3 months ago (02/05/2024)

Street Artists Say Guess Is Copying Their Tags Skip to content Images show the signatures of Sean Griffin ("NEKST") and Robin Ponn ("BATES") juxtaposed on since-removed articles of clothing sold by Guess...

© » THEARTNEWSPER

about 3 months ago (02/05/2024)

Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...

© » ARTSY

about 3 months ago (01/29/2024)

Perrotin announces new Los Angeles space...

© » FAD MAGAZINE

about 3 months ago (01/26/2024)

Frieze reveals shortlist for Frieze Los Angeles Film Award - FAD Magazine Skip to content By Mark Westall • 26 January 2024 Share — Frieze has revealed the eight emerging filmmakers shortlisted for the 2024 Deutsche Bank Frieze Los Angeles Film Award...

© » WHITEHOT

about 5 months ago (12/18/2023)

Steven Seidenberg: The Residue of Life & The Architecture of Silence advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Steven Seidenberg: The Residue of Life & The Architecture of Silence Shinjuku #3, Tokyo Tape...

© » HYPERALLERGIC

about 5 months ago (12/14/2023)

Nani Chacon Finds the Essence of Home Skip to content Nani Chacon, "I Miss You…" (2023), graphite and acrylic on polytab, 102 x 140 inches (all photos by ofstudio, courtesy Timothy Hawkinson Gallery) LOS ANGELES — “[Nani Chacon] addresses how a secure home is essential.” This the phrase, from the press release for Chacon’s exhibition + Home+ at Timothy Hawkinson Gallery, forced me to pause...

© » HYPERALLERGIC

about 5 months ago (12/12/2023)

Artist Rodrigo Valenzuela’s Futuristic Ruins Unveiled in LA Skip to content Rodrigo Valenzuela, "The Underpinning" (2023) (photo Matt Stromberg/ Hyperallergic ) LOS ANGELES — On Saturday afternoon, a crowd gathered at Los Angeles State Historic Park on the edge of Chinatown for the opening of Rodrigo Valenzuela’s new public artwork, commissioned by the local nonprofit Clockshop...

Ed Ruscha
© » ART & OBJECT

about 5 months ago (12/12/2023)

Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » MOUSSE MAGAZINE

about 5 months ago (12/12/2023)

“If You’re Reading This, I’m Already Dead” reaches into the different kinds of agencies that are found in bodies otherwise thought to have none, bodies whose...

© » WHITEHOT

about 5 months ago (12/12/2023)

Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...

© » THEARTNEWSPER

about 5 months ago (12/07/2023)

Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 blog Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Plus: a million reasons to score at basketball, Hew Locke's golden opportunity, and your chance to win a koala The Art Newspaper 7 December 2023 Share Reasons to be cheerful: George Clinton in front of his work Evolutionary Directory: Which way do you want to be “what”? at Jeffrey Deitch’s stand...

© » THEARTNEWSPER

about 5 months ago (12/07/2023)

Akinsanya Kambon wins Hammer Museum’s $100,000 Mohn Award Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Prizes news Akinsanya Kambon wins Hammer Museum’s $100,000 Mohn Award The prize, plus two others of $25,000 each, are given to artists participating in the museum’s “Made in LA” biennial Jori Finkel 7 December 2023 Share Akinsanya Kambon Photo: Antonio Gilbreath Don’t be surprised if you don’t know know their names...

© » HYPERALLERGIC

about 5 months ago (12/06/2023)

Ken Gun Min’s Vision of Gay Utopia Skip to content Ken Gun Min, “East Hollywood Red Chair” (2023), oil, Korean pigment, silk embroidery thread, 66 x 54 inches (all photos David S...

© » FAD MAGAZINE

about 5 months ago (12/06/2023)

Frieze Los Angeles 2024 details revealed...

© » OBSERVER

about 5 months ago (12/06/2023)

Interview: Rick Garzon of Residency Art Gallery | Observer Rick Garzon is not your typical art world founder...

© » GALERIE MAGAZINE

about 5 months ago (12/04/2023)

From New York to Los Angeles, 8 Must-See Solo Gallery Shows in December - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Arghavan Khosravi: True to Self" at Rachel Uffner Gallery...

© » ARRESTED MOTION

about 7 months ago (09/27/2023)

Openings: Jeff Soto – “Sadlands” @ KP Projects « Arrested Motion Earlier this month, Jeff Soto’s ( interviewed ) new exhibition Sadlands opened up in West Hollywood at KP Projects ...

© » ART AND CAKE

about 8 months ago (08/30/2023)

In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...

© » ART AND CAKE

about 8 months ago (08/30/2023)

In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...

© » ART AND CAKE

about 8 months ago (08/30/2023)

In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...

Ed Ruscha
© » LARRY'S LIST

about 19 months ago (10/05/2022)

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

For Muzeo, a publicly funded museum in downtown Anaheim, and for actor and art collector Cheech Marin, it’s a take two....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

How the Rich Get Spending Money: Locking Fine Art in Storage and Borrowing against It - via Los Angeles Times...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Robert Rifkind, philanthropist and "game-changing" collector of German Expressionist works, has died....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

The Marciano Art Foundation opened in 2017 as L...

© » ARTREPORT

about 101 months ago (01/28/2016)

Performance Art And Interactive Booths Take LA Art Show – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Performance Art And Interactive Booths Take LA Art Show by Christina Lee Jan 28, 2016 in Featured 0 LA Art Show 2016, Los Angeles Convention Center, Photo: Everest Share on Facebook Share on Twitter LA Art Show at the Los Angeles Convention Center...

© » KADIST

about 60 months ago (05/22/2019)

© » KADIST

about 73 months ago (05/14/2018)

© » KADIST

about 113 months ago (01/24/2015)

© » KADIST

about 115 months ago (12/02/2014)

© » KADIST

about 122 months ago (04/14/2014)

© » KADIST

about 124 months ago (02/25/2014)

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